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Filene's (/ f aɪ ˈ l iː n z /, originally William Filene & Sons Co.) was an American department store chain; it was founded by William Filene in 1881. The success of the original full-line store in Boston, Massachusetts , was supplemented by the foundation of its off-price sister store Filene's Basement in 1908.
I Love You (1982 film), a Pakistani Urdu film starring Waheed Murad; I Love You, a French-Italian drama directed by Marco Ferreri, starring Christopher Lambert; I Love You, an Indian Hindi-language film directed by Vara Prasad, starring Prashanth; I Love You, a 2001 South Korean film starring Oh Ji-ho; I Love You, a Chinese drama directed by ...
I Love You is a 2023 Indian Hindi-language romantic thriller film written and directed by Nikhil Mahajan. Produced under the banner of Jio Studios , it features Pavail Gulati , Rakul Preet Singh and Akshay Oberoi .
I Love You is a 1986 French-Italian drama film directed by Marco Ferreri. It was entered into the 1986 Cannes Film Festival. [3] Cast. Christopher Lambert - Michel;
I Love You (German: Ich liebe dich) is a 1938 German romantic comedy film directed by Herbert Selpin and starring Viktor de Kowa, Luise Ullrich and Olga Limburg. [1] It was shot at the Johannisthal Studios in Berlin. [2] The film's sets were designed by the art directors Karl Weber and Erich Zander.
I Love You is a 2004 Indian Odia romance action film directed by Hara Patnaik and produced by Sanjay Nayak. A remake of Tamil film Thulladha Manamum Thullum (1999), It stars debutante Anubhav Mohanty and Mumbai based model and actress Namrata Thapa .
I Love You is a 2012 Bangladeshi romantic film directed by Mushfiqur Rahman Gulzar and co-produced with Goyas Miah Raaj. It features an ensemble cast including Shakib Khan , Purnima , Nirob , Racy , Ilias Kanchan , Omar Sani , Shahnaz , Shahidul Alam Sachchu , Afzal Sharif and Gulshan Ara Ahmed .
Croatian Film Association's database of Croatian films describes I Love You as a film with a modern style, dealing with an interesting and somewhat intriguing topic, but notes its one-dimensionality and predictability, arguing that characterization and depth were sacrificed in favor of the film's visual style. [1]