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In Robin Hood and Maid Marian (Child Ballad 150, perhaps dating to the 17th century), Maid Marian is "a bonny fine maid of a noble degree" said to excel both Helen and Jane Shore in beauty. Separated from her lover, she dresses as a page "and ranged the wood to find Robin Hood," who was himself disguised, so that the two begin to fight when ...
Peacock wrote all but the last three chapters of Maid Marian at Marlow in 1818. He wrote to Percy Bysshe Shelley that he did not find "this brilliant summer", of 1818, "very favourable to intellectual exertion" but before it was quite over "rivers, castles, forests, abbeys, monks, maids, kings, and banditti were all dancing before me like a ...
Maid Marian and her Merry Men is a British children's television series created and written by Tony Robinson and directed by David Bell. It began in 1989 on BBC1 and ran for four series, with the last episode shown in 1994.
Maid Marian is Robin Hood's love interest in the standard form of the legend as it emerged in the 16th century. Maid Marian can also refer to: Maid Marian, an 1822 novel by Thomas Love Peacock; Maid Marian and Her Merry Men, a BBC television series; Maid Marian, a preserved steam locomotive
Starting in 2003, ' The Most Beloved Vietnam Television Dramas' Voting Contest (Vietnamese: Cuộc thi bình chọn phim truyền hình Việt Nam được yêu thích nhất) is held annually or biennially by VTV Television Magazine to honor Vietnamese television dramas broadcast during the year(s) on two channels VTV1-VTV3. [27]
Ngoc Lan was born Le Thanh Lan (also known as St. Maria Maria Le Thanh Lan) on 28 December 1956 in Nha Trang. Ngoc Lan is the fifth of eight people in a well-off family. [ clarification needed ] Her father, Le Duc Mau served in the South Vietnamese Armed Forces.
In the song "Mother's Legacy" (Gia tài của mẹ), Trinh sings about the Vietnamese experience of the Vietnam War: [11] He laments that the 1,000 years of Vietnam's subjugation to Chinese imperial rule, the 100 years of subjugation to French colonial rule, and the ongoing civil war, together have left a sad legacy of graveyards, parched ...
In 1999, director Tran Anh Hung invited Hai Yen, only 17 at that time, to play a role in the film The Vertical Ray of the Sun (Vietnam/France). [3]In 2000, Hai Yen appeared again in the film Song of the Stork (Vũ khúc con cò), a co-production between Vietnam and Singapore, directed by Nguyễn Phan Quang Bình (Vietnam) and Jonathan Foo (Singapore).