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Po' Girl is a Canadian music group whose style derives from folk, country and jazz. The band evolved from a series of jam sessions, in 2000, between Trish Klein of The Be Good Tanyas and Allison Russell, then of Fear of Drinking. The two met up again in 2003 and named themselves Po' Girl.
Chicago (retroactively known as Chicago II) is the second studio album by the American rock band Chicago, released on January 26, 1970, by Columbia Records. Like their debut album, Chicago Transit Authority , it is a double album.
Chicago is an American rock band formed in Chicago, Illinois in 1967. Self-described as a " rock and roll band with horns ," their songs often also combine elements of classical music , jazz , R&B , and pop music .
The Banshees (band) BarlowGirl; The Barrett Sisters; BBU (band) Beach Bunny (band) Beatnik Turtle; Beethoven Project Trio; Bella Voce (group) Belmont (band) Benson Orchestra of Chicago; Big Shoulders; The Black Sheep Band; The Blacks (band) The Blank Theory; Bloodyminded; Blue Meanies (Illinois band) The Blues Brothers; Bob's Yer Uncle (band ...
The Best of Chicago: 40th Anniversary is a double greatest hits album, and the thirty-first album overall, by American rock band Chicago, released by Rhino Records on October 2, 2007. It consists of two discs containing 30 of Chicago's top 40 singles. It is the fourth compilation of past hits released by their label since beginning of the decade.
Many of the bands in which she performs are all-female and/or all-Asian, including Kim (which she described as a "pop-rock, punk-out, all-female Asian band") [13] and Pook Nury (a Korean female drum group). [13] As of 2012, she was a percussionist for the all-female pop orchestra Girl Group Chicago. [12]
Chicago XXX is the twentieth studio album, and thirtieth album overall, by the American band Chicago, released on March 21, 2006. It was Chicago's first album of entirely new material since 1991's Twenty 1 .
According to Mike Stahl, Chicago's live audio engineer at the time, members of Chicago's rhythm section–Robert Lamm, Donnie Dacus, Peter Cetera, and Danny Seraphine–came into the studio, started jamming, and played what they thought was a run-through of "Alive Again" but which producer Phil Ramone had recorded.