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Camp is an aesthetic and sensibility that regards something as appealing or amusing because of its heightened level of artifice, affectation and exaggeration, [1] [2] [3] especially when there is also a playful or ironic element.
"Notes on 'Camp'" is a 1964 essay by Susan Sontag that brought the aesthetic sensibility known as "camp" to mainstream consciousness. [1] [2] Background
Everyday Aesthetics is a recent subfield of philosophical aesthetics focusing on everyday events, settings and activities in which the faculty of sensibility is saliently at stake. Alexander Baumgarten established Aesthetics as a discipline and defined it as scientia cognitionis sensitivae , the science of sensory knowledge, in his foundational ...
Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
Sensibility refers to an acute perception of or responsiveness toward something, such as the emotions of another. This concept emerged in eighteenth-century Britain, and was closely associated with studies of sense perception as the means through which knowledge is gathered.
Styles like cabincore, cottagecore, and even the delightfully whimsical marshmallow aesthetic are all about creating spaces that feel warm and welcoming. Whether it’s layering textiles ...
The paper is rich in themes, but the main line of thought suggests that aesthetic concepts cannot be reduced to non-aesthetic concepts, or sufficiently defined in terms of non-aesthetic concepts. This leads Sibley to think that grasping properties of given items requires the capability to exercise taste or aesthetic sensibility.
Rasquachismo or "Rascuachismo" is a theory developed by Chicano scholar Tomás Ybarra-Frausto to describe "an underdog perspective, a view from "los de abajo" (from below) in working class Chicano communities which uses elements of "hybridization, juxtaposition, and integration" as a means of empowerment and resistance.