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Note 1] The success of "Como la Flor" boosted sales of its parent album, Entre a Mi Mundo, which replaced La Mafia's Ahora y Siempre at number one on the Regional Mexican Albums chart. [21] "Como la Flor" was the most-played song on Tejano radio stations in Texas, according to a survey conducted by the Austin American-Statesman. [59]
"Cómo Dueles en los Labios" was released as the fourth single from the album in 1997 by WEA Mexico. [7] [8] Its music video was directed by Kiko Guerrero. [7]The video features black-and-white scenes of Olvera and a woman separately on a couch in a white sheet. [9]
"Cómo Dónde y Cuándo" is a pop rock [13] ballad [14] written by Shakira, Albert Hype, Servando Primera, Rafa Rodríguez and Daniel Rondón.It explores themes of love and hopefulness [15] with lyrics about being surrounded by your friends and family, [16] emphasizing moving on from the past, embracing the present, and looking to the future with optimism. [17]
Among the singers that have interpreted the song are: Hernaldo Zúñiga himself (live), Luis Miguel and Pandora (live duet), Los Horóscopos de Durango, Patricia Manterola, Nicho Hinojosa, Fher Manjarrez, Área 305, Freddy y Los Nobles, La Rondalla de Saltillo, Chicos De Barrio, Tierra Canela, Myriam, Marcos Orozco y Rebelde, Secuencia con ...
In the 1960s pioneering professionals like that of Herman Feifel (1959), Elisabeth Kübler-Ross (1969), and Cicely Saunders (1967) encouraged behavioral scientists, clinicians, and humanists to pay attention and to study death-related topics. This initiated the death-awareness movement and began the widespread study of death-related behavior ...
The people on the side of Lorenzo Antonio Y Su Grupo felt that the decision was fair because: Juguemos A Cantar was a "Festival De La Canción" (Festival Of The Song), therefore, Lorenzo Antonio was worthy of more consideration because he was the only finalist who wrote the song they participated with.
"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]
"A Cambio de Que" (In Exchange for What) is a song written by Xavier Santos Córtes and first recorded in 1983 by Mexican band Los Diablos. [1] American born singer Marisela sang a version modified to reflect a female voice in her studio album Completamente Tuya. [2]