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Satan's Sword (Japanese: 大菩薩峠, Hepburn: Daibosatsu Tōge, "Great Buddha Pass" or "Daibosatsu Pass, Part I") is a 1960 Japanese samurai film [3] directed by Kenji Misumi, written by Teinosuke Kinugasa, and produced by Masaichi Nagata. [4]
Goemon is a thirteenth generation descendant of the renegade samurai Ishikawa Goemon. He is famous for a reticent personality coupled by apparent unlimited skill in martial arts and swordsmanship with his sword Ryusei (流星), known in the anime as Zantetsuken (斬鉄剣).
Ishikawa Goemon (石川 五右衛門, Ishikawa Goemon, August 24, 1558 – October 8, 1594) was the leader of a group of bandits during the Azuchi-Momoyama period in Japan. . Over time, and especially during the Edo period (1603-1867), his life and deeds became a center of attention, and he became known as a legendary Japanese outlaw hero who stole gold and other valuables to give to the po
Ishikawa clan was a samurai family from the mid-Heian period to the Warring States period (Japan). The clan's original surname was Genji. The family was descended from Minamoto no Yorito, a son of Minamoto no Yorichika, as the progenitor of the clan, in a line of Yamato Genji, a branch of Seiwa-Genji.
Samurai Vendetta (薄桜記, Hakuōki) is a 1959 Japanese chambara film directed by Kazuo Mori starring Raizo Ichikawa and Shintaro Katsu that was originally released by Daiei Film. [1] It is a depiction of the early years of the samurai Horibe Yasubei, who was one of the Forty-seven Ronin.
Agemaki is a courtesan who is frequented by Sukeroku (who turns out to be samurai Soga Gorō). Sukeroku is continually looking for fights. An old samurai called Ikyū arrives and tries to subtly persuade Agemaki away from Sukeroku. Sukeroku does not succeed in provoking Ikyū to draw his sword.
After Ichikawa's death, the role of "Nemuri Kyoshiro" was then played by Matsukata Hiroki in two more Daiei films: Nemuri Kyōshirō: Engetsu Sappo (1969) (The Full Moon Swordsman) Directed by Kazuo Mori; Nemuri Kyōshirō manji giri (1969) (Fylfot Swordplay) Directed by Kazuo Ikehiro
Ichikawa Omezō as a Pilgrim and Ichikawa Yaozō as a Samurai is an ukiyo-e woodblock print dating to around 1801 by Edo period artist Utagawa Toyokuni I.Featuring two of the most prominent actors of the day as characters in a contemporary kabuki drama, it is a classic example of the kabuki-e or yakusha-e genre.
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