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By the time of Chopin's birth in 1810, John Field was already an accomplished composer. Eventually, the young Chopin became a great admirer of Field, taking some influence from the Irish composer's playing and composing technique. [5] Chopin had composed five of his nocturnes before meeting Field for the first time. [6]
The Nocturnes, Op. 32 is a set of two nocturnes for solo piano written and published by Frédéric Chopin in 1837. [ 1 ] [ 2 ] The nocturnes are dedicated to Madame Camile de Billing, [ 2 ] and were his ninth and tenth nocturnes published.
These pieces were admired by Frédéric Chopin, who subsequently made the piano nocturne famous, and Franz Liszt, who published an edition of the nocturnes based on rare Russian sources that incorporated late revisions by Field. Liszt's preface to the said edition was an extensive eulogy for Field and his nocturnes.
Opening bars of Nocturne No. 19 in E minor. The Nocturne in E minor, Op. posth. 72 No. 1, WN 23, was composed by Frédéric Chopin for solo piano in 1826. [1] It was Chopin's first composed nocturne, although it was the nineteenth to be published, in 1855, along with two other early works: a funeral march in C minor and three écossaises.
Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
The Nocturne No. 20 in C ♯ minor, Op. posth., Lento con gran espressione, P 1, No. 16, KKIVa/16, WN 37, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1875. Chopin dedicated this work to his older sister Ludwika Chopin , with the statement: "To my sister Ludwika as an exercise before beginning the study of my ...
Together with a number of rondos (Opp. 1, 5, 16 and 73), the Polonaise brillante and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s.
The last opus number Chopin used was 65, that allocated to the Cello Sonata in G minor. He expressed a death-bed wish that all his unpublished manuscripts be destroyed. This included the early Piano Sonata No. 1; Chopin had assigned the Opus number 4 to it in 1828, and had even dedicated it to his teacher Elsner, but chose not to publish it. In ...
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