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Ziggy Elman and His Orchestra Musical artist Harry Aaron Finkelman (May 26, 1914 – June 26, 1968), [ 1 ] known professionally as Ziggy Elman , was an American jazz trumpeter associated with Benny Goodman , though he also led his own group, Ziggy Elman and His Orchestra.
Babs: Babs Gonzales Baby: Warren Dodds [1] Baby Sweets: Walter Perkins Bags: Milt Jackson Barney: Barney Bigard Barney: Barney Wilen Baron: Charles Mingus Bass: Ernest Hill Bean: Coleman Hawkins a.k.a. "Hawk"
On July 6, 1937, "Sing, Sing, Sing" was recorded in Hollywood with Benny Goodman on clarinet; Gene Krupa on drums; Harry James, Ziggy Elman, and Chris Griffin on trumpets; Red Ballard and Murray McEachern on trombones; Hymie Schertzer and George Koenig on alto saxophones; Art Rollini and Vido Musso on tenor saxophone; Jess Stacy on piano; Allan Reuss on guitar; and Harry Goodman on bass.
900 Ziggy Elman 1938–39; 901 Leonard Feather 1937–45; 902 Joe Marsala 1944–45; 903 Harry James 1937–39; 904 Buster Bailey 1925–40; 905 Django Reinhardt 1942–43; 906 Benny Morton 1934–45; 907 Muggsy Spanier 1944; 908 Teddy Wilson 1942–45; 909 George Wettling 1940–44; 910 Don Byas 1945; 911 Slim Gaillard 1945 Vol. 2; 912 Kansas ...
The Famous 1938 Carnegie Hall Jazz Concert by Benny Goodman, Columbia Records catalogue item SL-160, is a two-disc LP of swing and jazz music recorded at Carnegie Hall in New York City on January 16, 1938.
However, by 1929 he had started playing bass, and began performing in clubs around New York City. He performed with trumpeter Red Nichols, Red Norvo, Kay Thompson, Lou Bring, Ziggy Elman, The Boswell Sisters, [2] and others, and recorded with Ben Pollack, Jimmy and Tommy Dorsey, and many others in the 1930s.
Martha Tilton (November 14, 1915 – December 8, 2006) [1] was an American popular singer during America's swing era and traditional pop period. She is best known for her 1939 recording of "And the Angels Sing" with Benny Goodman.
Writing for Allmusic, reviewer Scott Yanow described this set: "Classic music with many exciting moments from the King of Swing and his famous sidemen". [1] JazzTimes writer Jack Sohmer stated: "From a strictly musical point of view, the importance of these recordings cannot be overestimated.