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Two projectors mounted in a special pedestal allowing twice the brightness. One projector can converge on green. ... Vision 1209 HD [16] Barco: 1994: 9 inches: 2208 ...
A projector's throw ratio is used when installing projectors to control the size of the projected display. [1] For example, if the throw ratio is 2:1 and the projector is fourteen feet away from the screen, then the display width will be seven feet.
A projector in a standard form factor: The PG-D2870 projector from Sharp, which uses Digital Light Processing technology An image from a video projector in a home cinema. A video projector is an image projector that receives a video signal and projects the corresponding image onto a projection screen using a lens system.
At the projector a corresponding lens restores the wide aspect ratio to be seen on the screen. The anamorphic element can be an attachment to existing spherical lenses. Some anamorphic formats utilized a more squarish aspect ratio (1.18:1, vs. the Academy 1.375:1 ratio) on-film in order to accommodate more magnetic or optical tracks.
In contrast, a modern LCD or DLP projector often uses an Ultra-high-performance lamp which has a higher luminous efficacy and lasts for thousands of hours. [5] A drawback of that technology is the warm up time required for such lamps. Older overhead projectors used a tubular quartz bulb which was mounted above a bowl-shaped polished reflector.
Screener may refer to: Screener (promotional), an advance copy of a film or television episode; Screener (website), an American movie and television listing website;
Deepak Tijori (born 28 August 1961) is an Indian film director and actor who works in Bollywood and Gujarati films and is well known for his supporting roles in Aashiqui (1990), Khiladi (1992), Jo Jeeta Wohi Sikandar (1992), Kabhi Haan Kabhi Naa (1994), Ghulam (1998) and Baadshah (1999).
About the second half of the film she felt that Tijori was "[dragging] out a boring and unconvincing climax." Further, she wrote that the newcomers (Janjani, Sethi and Adyahsa) spoke their dialogues "without emotion or expression." [13] India Today called Tijori's direction amateurish but termed the film "an example of brave new breed."