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  2. I Wanna Love You - Wikipedia

    en.wikipedia.org/wiki/I_Wanna_Love_You

    Download as PDF; Printable version; In other projects ... I Wanna Love You may refer to: "I Wanna Love You" (Akon song), 2006 "I Wanna Love You" (Jade song) ...

  3. I Wanna Love You Forever - Wikipedia

    en.wikipedia.org/wiki/I_Wanna_Love_You_Forever

    According to the sheet music book (published by Hal Leonard Corporation) on Musicnotes.com, "I Wanna Love You Forever" has a common-time (4/4) metre with a beat rate of 80 beats per minute (BPM). It is set in the key of E minor , with Simpson's voice ranging from the tonal nodes of A 3 to G 5 , which is 2 octaves and 1 notes.

  4. I Wanna Love You (Jade song) - Wikipedia

    en.wikipedia.org/wiki/I_Wanna_Love_You_(Jade_song)

    "I Wanna Love You" is a song by American girl group Jade, [1] released in September 1992 by Giant Records as the debut single from their first album, Jade to the Max (1992). [2] The song was written by Vassal Benford and Ronald Spearman, and produced by Benford. It was also included on the soundtrack to the 1992 film Class Act, starring Kid 'n ...

  5. I Wanna Be with You (Mandy Moore song) - Wikipedia

    en.wikipedia.org/wiki/I_Wanna_Be_with_You_(Mandy...

    "I Wanna Be with You" is written in the key of E â™­ major and is set in the time signature of common time. It is moderately paced with a tempo of 76 beats per minute.The song also follows the sequence of E â™­ maj7–A â™­ –E â™­ 7–A â™­ maj7 as its chord progression.

  6. All I Wanna Do Is Make Love to You - Wikipedia

    en.wikipedia.org/wiki/All_I_Wanna_Do_Is_Make...

    The original song as recorded by Dobie Gray in 1979 was a love song without a storyline, unlike the later version by Heart.. In the Heart version of the song, which is also played out in the accompanying music video, interspersed with sequences of the band performing the song, singer Ann Wilson sings of a one-night stand with a handsome young male hitchhiker.

  7. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

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