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The Men They Couldn't Hang came together in 1984 to perform at the alternative music festival in Camden Town alongside The Pogues and the Boothill Foot Tappers.Paul Simmonds, Philip 'Swill' Odgers and his brother Jon, veterans of the Southampton-based pop-punk band Catch 22, met Pogues roadie Stefan Cush whilst busking in Shepherd's Bush in London.
Title Album details Majestic Grill: The Best of the Men They Couldn't Hang: Released: April 1998; Label: Demon; Formats: CD; The Mud, the Blood and the Beer: Best of the Men They Couldn't Hang – Part II
Night of a Thousand Candles is the first studio album by the band The Men They Couldn't Hang. It was released in 1985 on vinyl and cassette format, and then on CD format in 1987. The cassette version has two additional tracks, and the CD version has six bonus tracks added.
Silver Town is the fourth studio album by The Men They Couldn't Hang. It was released in 1989 under the Silvertone label and recorded at Woodcray Manor Studios in Berkshire . There were three singles released from the album, "A Place in the Sun", "Rain, Steam and Speed" and "A Map of Morocco".
How Green Is the Valley is the second studio album of The Men They Couldn't Hang. It was released in 1986 after the band were signed to MCA Records following the success of their previous album Night of a Thousand Candles. It is the last album to feature co-founder Shanne Bradley on bass guitar.
It should only contain pages that are The Men They Couldn't Hang albums or lists of The Men They Couldn't Hang albums, as well as subcategories containing those things (themselves set categories). Topics about The Men They Couldn't Hang albums in general should be placed in relevant topic categories .
The Men They Couldn't Hang – "How Green Is The Valley" (1986) Violin, arranger The Men They Couldn't Hang – "Waiting for Bonaparte" (1988) Fiddle The Men They Couldn't Hang – "Silvertown" (1989) Fiddle
Waiting for Bonaparte is the third studio album by The Men They Couldn't Hang. It was recorded at Woodcray Studios in Berkshire and was released in 1988. It is the first album to feature Ricky McGuire (ex UK Subs) on bass guitar. The album again features songs written about British culture and history.