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This article lists songs of the C vs D "mash-up" genre that are commercially available (as opposed to amateur bootlegs and remixes).As a rule, they combine the vocals of the first "component" song with the instrumental (plus additional vocals, on occasion) from the second.
"Pop Culture" is a mash-up song created by Hugo Pierre Leclercq, better known by his stage name, Madeon. The song was recorded on-the-fly by Leclercq, when he was seventeen years old, using samples from 39 popular songs, mixed using the software FL Studio controlled with a Novation Launchpad.
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A mashup (also mesh, mash up, mash-up, blend, bastard pop [1] or bootleg [2]) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. [3]
DJ Earworm continued to release his yearly mashup, "Blame It on the Pop" in 2009, "Don't Stop the Pop" in 2010, "World Go Boom" in 2011. The sixth year-end mashup, titled "Shine Brighter", was released on December 18, 2012. [12] The mashup was finished on December 15, 2012 and premiered on Virgin Radio in Canada.
The Free Music Archive (FMA) is an online repository of royalty-free music, currently based in the Netherlands. [1] Established in 2009 by the East Orange, New Jersey community radio station WFMU and in cooperation with fellow stations KBOO and KEXP , it aims to provide music under Creative Commons licenses that can be freely downloaded and ...
Mashup culture is sometimes regarded as a cultural movement against common, existing music that is published by the music industry. In 2002, a Newsweek article described the mashup of songs as a strategy of Londoner DJs to transform music they considered bad into something they could appreciate and were willing to listen to. [1]
YouTube Poop is a subset of remix culture, [2] in which existing ideas and media are modified and reinterpreted to create new art and media in various contexts. [3] Forms of remix culture have existed long before the internet, with DigitalTrends's Luke Dormehl listing the cut-up technique of William Burroughs and sampling in hip-hop as examples. [4]
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