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Although it is possible to transfer tapes (using the VCR to rerecord the source video as it is played back by the camcorder), the VHS copy would lose some quality compared to the 8mm original. During the 1990s Sony did market a few VHS VCRs that also feature an 8mm deck to allow convenient transfer to VHS. GoldStar also made a similar dual-deck ...
Digital8 machines run tape at 29 mm per second, faster than baseline DV (19 mm/s) and comparable to professional DV formats like DVCAM (28 mm/s) and DVCPRO (34 mm/s). A 120-minute 8-mm cassette holds 106 m of tape and can store 60 minutes of digital video. A standard DVCPRO cassette holds 137 m of tape, good for 66 minutes of video.
VHS-C cassette was larger than Video8 cassette, but was compatible with VHS tape recorders, using a special adapter cassette. The adapter contains a standard full-size engagement hub for the VCR's takeup sprocket, which connected to a gear train to drive the VHS-C cassette takeup gear.
Digital based tapes DV, a digital video tape format & codec launched to record video for both professional & amateur use; MicroMV, the smallest videocassette ever produced and was launched by Sony in 2001; Digital8, the digital version of Video8 (8 mm video) introduced by Sony; D-VHS, a version of VHS used to store digital video launched in 1998
A typical cassette adapter uses a single-sided writing tape head (similar to the recording head on a traditional tape deck) connected to a stereo minijack connector with a cord. The cord is connected to the device's output (or headphones) port and the electrical signal is converted into a magnetic signal by the head.
A Sony PCM-501ES EIAJ LPCM Adapter on a Sony SL-HF360 VTR. The Sony PCM-1600 was the first commercial video-based 16-bit recorder. The 1600 (and its later versions, the 1610 and 1630) used special U-matic-format VCRs also furnished by Sony for transports, such as the BVU-200B (the first model of VCR optimized to work, and sold with, the PCM-1600 in 1979), [2] BVU-800DA, VO-5630DA, and the ...
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