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The essays seek to understand and explain the relatively new movement of nonrepresentational art and defend these pioneering artists attempting to escape from the embraced realism and romanticism movements. [1] The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form.
William Buller Fagg CMG (28 April 1914 – 10 July 1992) was a British curator and anthropologist. He was the Keeper of the Department of Ethnography at the British Museum (1969–1974), and pioneering historian of Yoruba and Nigerian art, with a particular focus on the art of Benin.
It appears that the inclusion of the photos counteracts the dehumanization of the medical process. Dehumanization has applications outside traditional social contexts. Anthropomorphism (i.e., perceiving mental and physical capacities that reflect humans in nonhuman entities) is the inverse of dehumanization. [89]
A Cambridge University college said Friday that it would return a looted bronze cockerel to Nigeria later this month, making The post Cambridge college to return stolen artwork to Nigeria appeared ...
In 2020, Nigerian art historian Okeke-Agulu called on auction house Christie's to cancel its planned Paris sale of two Igbo sculptures and repatriate the items in question back to Nigeria. The two sculptures were bundled together with a Benin plaque. Some have speculated the two sculptures were sold by Biafran soldiers during the Nigerian Civil ...
Ekpo (Ghost) is a cultural society art form that originates from the Efik, Ibibio and Annang peoples in the Cross River/Akwa Ibom in Southern Nigeria. The practice was also adopted by neighboring regions, namely Arochukwu and Ohafia ( Abia state ) during the expansion of the Aro-Kingdom .
Beggars (1963). Etso Clara Ugbodaga-Ngu known as Ugbodaga-Ngu, was a Nigerian artist and teacher. Her art featured vibrant colours and portrayed strength and purpose. Her geometric style evolved from earlier works like "Market Women" (1961) and left a lasting mark on Nigerian culture and politics.
Odinigwe Benedict Chukwukadibia Enwonwu // ⓘ MBE (14 July 1917 – 5 February 1994), better known as Ben Enwonwu, was a Nigerian painter and sculptor. [1] Arguably the most influential African artist of the 20th century, his pioneering career opened the way for the postcolonial proliferation and increased visibility of modern African art.