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"The stack" is a term used in science and technology studies, the philosophy of technology and media studies to describe the multiple interconnected layers that computation depends on at a planetary scale. The term was introduced by Benjamin H. Bratton in a 2014 essay [1] and expanded upon in his 2016 book The Stack: On Software and Sovereignty, [2] and has been adapted, critiqued and expande
See also: The stack (model of planetary computation) Benjamin Bratton developed the concept of Planetary Computation which refers both to the global scale of digital infrastructures and also how contemporary scientific and philosophical concepts of the Planetary emerge in relation to computational perception and modeling.
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics .
The Performance of Reading: an Essay in the Philosophy of Literature (2006). Music, Language, and Cognition: And Other Essays in the Philosophy of Music, further collected essays of Peter Kivy (collection, 2007). Antithetical Arts: On the Ancient Quarrel Between Literature and Music (2009). Once-Told Tales: An Essay in Literary Aesthetics (2011).
In contrast to Kivy, Davies also places a greater emphasis on the resemblance between music and physical gesture, where Kivy tends to emphasize the resemblance to the expressive vocalisations. Davies was inspired when seeing an advertisement for Hush Puppies shoes, with the thought that we recognize sadness in the face of Basset hounds ...
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Aaron Ridley (born 31 July 1962) is a British philosopher and Professor of Philosophy at the University of Southampton. He is known for his works on aesthetics, particularly the philosophy of music, and on Nietzsche. [1] [2] [3] [4]
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