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Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth (the popular rhythmic "scratching" effect which is ...
On the way back to the office, Michael and Erin have a comforting conversation. Erin reminds him of the students' higher-than-average graduation rate, and Michael compliments Erin's work ethic and reveals Kevin Malone was originally going to be in the warehouse, but became an accountant after Michael's belief in him.
U-Turn Audio was established in 2012 by three friends from Lexington High School, [1] Benjamin Carter, Robert Hertig, and Peter Maltzan. They raised money to start the company by participating in a business incubator program at Northeastern University, and they successfully completed a Kickstarter crowdfunding campaign [2] to build the first Orbit turntable prototype and begin manufacturing ...
In a direct-drive turntable the motor is located directly under the center of the platter and is connected to the platter directly. It is a significant advancement over older belt-drive turntables for turntablism, since they have a slower start-up time and torque, and are prone to wear-and-tear and breakage, [5] as the belt would break from backspinning or scratching. [6]
Garrard 401 turntable with SME 3009 tonearm. The Garrard 301 Transcription Turntable was the first transcription turntable that supported all extant commercial playback formats – the 33, 45 and 78 rpm records of the time. The first model was the Garrard 301.
Although vinyl records would play for a few more years — mostly in jukeboxes and on DJ turntables — the vinyl album was all but extinct by 1993, thanks to the skyrocketing popularity of the ...
Linn presented an important challenge to that by claiming that the source (i.e. the turntable) was the most important part of the system. [1] Ivor Tiefenbrun has talked about how Sondek derives from the term “sound deck” to emphasise the revolutionary concept that the turntable, the “deck”, is responsible for the sound quality. [9]
Pro-Ject founder Heinz Lichtenegger began producing and selling turntables under this brand name in 1991. The Pro-Ject 1, launched in 1991, marked the company's entry into the turntable market. Developed by founder Heinz Lichtenegger, this deck was essentially a modified version of the Tesla NC-500, a turntable produced in the Czech Republic.