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In addition to instrumentation techniques, performers are asked to wear half black masks. [1] It is highly suggested that whenever possible the performance be done under blue lighting. [ 1 ] The cello is tuned scordatura , [ 2 ] and the piece requires the use of a grand piano as the techniques required would not be possible on an upright model.
These include, in addition to the "simple" scales of the first tutorial: forms derived from scales (chords incorporated into scales); chromatic "sliding-finger" (or "sixth-finger") technique; repeated notes; arpeggios and broken chords; examples of "three-hands"; trills; examples with arpeggios; and further examples of "three hands."
Makrokosmos, Volume I was composed in 1972 for pianist and friend David Burge (who previously commissioned and premiered Crumb's Five Pieces for Piano (1962)). The collection is subtitled Twelve Fantasy-Pieces after the Zodiac and is scored for amplified piano.
Exercises 21 - 43: Labeled "further exercises for the development of a virtuoso technique." This more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios. Exercises 44 - 60: Labeled "virtuoso exercises for mastering the greatest technical difficulties."
The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]
Freeing the Caged Bird received positive reviews from critics around the world, including Keyboard Magazine, Piano and Keyboard, European Piano Teachers Association Piano Journal, American Music Teacher, Society for the Teachers of Alexander Technique, Clavier, Notes, and Reginald Gerig (author of Famous Pianists and Their Technique). [11]
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