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In addition to instrumentation techniques, performers are asked to wear half black masks. [1] It is highly suggested that whenever possible the performance be done under blue lighting. [ 1 ] The cello is tuned scordatura , [ 2 ] and the piece requires the use of a grand piano as the techniques required would not be possible on an upright model.
The Piano Wizard Academy version is more popular as it introduces another critical level of music learning, i.e. "Step 5" where the student is helped to get off the game, and read sheet music at the piano. This allows many more musical elements of playing to be introduced by the parent or facilitator, ensuring a deeper more artistic experience ...
These include, in addition to the "simple" scales of the first tutorial: forms derived from scales (chords incorporated into scales); chromatic "sliding-finger" (or "sixth-finger") technique; repeated notes; arpeggios and broken chords; examples of "three-hands"; trills; examples with arpeggios; and further examples of "three hands."
Makrokosmos, Volume I was composed in 1972 for pianist and friend David Burge (who previously commissioned and premiered Crumb's Five Pieces for Piano (1962)). The collection is subtitled Twelve Fantasy-Pieces after the Zodiac and is scored for amplified piano.
Exercises 21 - 43: Labeled "further exercises for the development of a virtuoso technique." This more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios. Exercises 44 - 60: Labeled "virtuoso exercises for mastering the greatest technical difficulties."
George Henry Crumb Jr. was born in Charleston, West Virginia on 24 October 1929 to a musical family and he grew up playing chamber music with them. [10] [11] Both of Crumb's parents played in the Charleston Symphony Orchestra (CSO); [n 1] his father George Henry Crumb Sr. was a clarinetist while his mother Vivian (née Reed) was a cellist. [12]
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