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  2. The Virtuoso Pianist in 60 Exercises - Wikipedia

    en.wikipedia.org/wiki/The_Virtuoso_Pianist_in_60...

    Exercises 21 - 43: Labeled "further exercises for the development of a virtuoso technique." This more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios. Exercises 44 - 60: Labeled "virtuoso exercises for mastering the greatest technical difficulties."

  3. Klavierübung (Busoni) - Wikipedia

    en.wikipedia.org/wiki/Klavierübung_(Busoni)

    These include, in addition to the "simple" scales of the first tutorial: forms derived from scales (chords incorporated into scales); chromatic "sliding-finger" (or "sixth-finger") technique; repeated notes; arpeggios and broken chords; examples of "three-hands"; trills; examples with arpeggios; and further examples of "three hands."

  4. Makrokosmos - Wikipedia

    en.wikipedia.org/wiki/Makrokosmos

    Music for a Summer Evening was premiered by Gilbert Kalish and James Freeman (piano), Raymond DesRoches and Richard Fitz (percussion) at Swarthmore College, Pennsylvania, on 30 March 1974. John Keillor has written, “It is a work so successful and openhearted that Makrokosmos III is among the most frequently performed avant-garde chamber works ...

  5. Locked hands style - Wikipedia

    en.wikipedia.org/wiki/Locked_hands_style

    The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]

  6. Three-hand effect - Wikipedia

    en.wikipedia.org/wiki/Three-hand_effect

    The effect had been prefigured by composers including Francesco Pollini (1762–1846), a pupil of Mozart, whose 32 esercizi for the piano (1829), based on techniques found in the keyboard music of Johann Sebastian Bach and Jean-Philippe Rameau, included music written on three staves, and using interlocking hand positions, to generate the impression of three, or even four, hands.

  7. Barbara Lister-Sink - Wikipedia

    en.wikipedia.org/wiki/Barbara_Lister-Sink

    Lister-Sink has published articles about injury-preventive keyboard technique in Piano & Keyboard, Clavier, American Music Teacher, Keyboard Companion, Southern Medical Journal, and Current Research in Arts Medicine. She was cited in the 2000 Centennial Edition of Piano & Keyboard as one of the pedagogical leaders of the 20th century. [3]

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