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The opening bars and main theme of No. 1. The Nocturnes, Op. 9 are a set of three nocturnes for solo piano written by Frédéric Chopin between 1831 and 1832, published in 1832, and dedicated to Madame Marie Pleyel. These were Chopin's first published set of nocturnes. The second nocturne of the work is often regarded as Chopin's most famous ...
Franz Liszt used this melody as No. 2 (Mélodie polonaise) of his Glanes de Woronince, S.249 (1847); Liszt also transcribed the song for piano solo as No. 1 of his Six Chants polonais, S.480 (composed 1847-1860); Chopin also used a motif from the song in his posthumous Nocturne in C-sharp minor, Lento con gran espressione [5] 2. Wiosna: Spring -
The last opus number Chopin used was 65, that allocated to the Cello Sonata in G minor. He expressed a death-bed wish that all his unpublished manuscripts be destroyed. This included the early Piano Sonata No. 1; Chopin had assigned the Opus number 4 to it in 1828, and had even dedicated it to his teacher Elsner, but chose not to publish it. In ...
Chopin, Trois Nouvelles Études, B. 130 Sheet music (with introductory note) at Musopen; Trois nouvelles études: Scores at the International Music Score Library Project; Details, Carnegie Hall Data Lab; No. 1, No. 2, No. 3 played by Alfred Cortot on YouTube; No. 1, No. 2, No. 3 played by Claudio Arrau on YouTube
Piano Sonata No. 5 (Opus archimagicum) Kaikhosru Shapurji Sorabji 6–7 hours 336 (manuscript) [11] [12] A3 Movements 8 and 9 from the 10-movement work have been premiered by Tellef Johnson. [12] Inner Cities 1–14: Alvin Curran: 6 hours Premiered and recorded by Daan Vandewalle. November: Dennis Johnson: 6 hours 6 (manuscript) [13]
The manuscript, measuring 130 by 102 millimetres (5.1 in × 4.0 in), was discovered by museum staff in 2019, during the cataloguing of a bequest by Arthur Satz, who had purchased it from the wife of amateur pianist and former director of the New York School of Interior Design Augustus Sherrill Whiton Jr.
The melody of the Fantaisie-Impromptu ' s middle section was used in the popular Vaudeville song "I'm Always Chasing Rainbows". That theme was quoted in Variation 10 of Federico Mompou's Variations on a Theme of Chopin, which is otherwise based on Chopin's Prelude No. 7 in A major. George Crumb's Makrokosmos, Volume 1: 11.
The Piano Concerto No. 1 in E minor, Op. 11, is a piano concerto written by Frédéric Chopin in 1830, when he was twenty years old. It was first performed on 12 October of that year, at the Teatr Narodowy (the National Theatre) in Warsaw, Poland, with the composer as soloist, during one of his "farewell" concerts before leaving Poland.
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