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Jamais vu is commonly explained as when a person momentarily does not recognize a word or, less commonly, a person or place, that they already know. [2] Jamais vu is sometimes associated with certain types of aphasia, amnesia, and epilepsy. The phenomenon is often grouped with déjà vu and presque vu (tip of the tongue, literally "almost seen ...
Jamais vu (from French, meaning "never seen") is any familiar situation which is not recognized by the observer. Often described as the opposite of déjà vu, jamais vu involves a sense of eeriness and the observer's impression of seeing the situation for the first time, despite rationally knowing that they have been in the situation before.
"Jamais" (song), a French single recorded by American entertainer Connie Francis. It is a French reworking of Sebastián Yradier's classic tale about a white dove, La Paloma; Jamais vu, from French, meaning "never seen"), phenomenon of experiencing a situation that one recognizes in some fashion, but that nonetheless seems very unfamiliar with
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Derealization can accompany the neurological conditions of epilepsy (particularly temporal lobe epilepsy), migraine, and mild TBI (head injury). [12] There is a similarity between visual hypo-emotionality, a reduced emotional response to viewed objects, and derealization.
Natura non facit saltus [1] [2] (Latin for "nature does not make jumps") has been an important principle of natural philosophy.It appears as an axiom in the works of Gottfried Leibniz (New Essays, IV, 16: [2] "la nature ne fait jamais des sauts", "nature never makes jumps"), one of the inventors of the infinitesimal calculus (see Law of Continuity).
Latour challenges the traditional understanding of the economy as a purely objective, quantitative, and value-free science in the book. He believes that this view fails to consider the relationships between humans and nonhumans, and argues that traditional economic measures value solely in terms of economic growth and productivity, ignoring the increasing social and ecological costs of these ...
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