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The conservation and restoration of outdoor bronze artworks is an activity dedicated to the preservation, protection, and maintenance of bronze objects and artworks that are on view outside. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer .
These organizations exist to "support the conservation professionals who preserve our cultural heritage". [1] This involves upholding professional standards, promoting research and publications, providing educational opportunities, and fostering the exchange of knowledge among conservators, allied professionals, and the public.
A brief overview of conservation treatments by material is outlined below, and more thorough discussions are available on the individual conservation pages. Bronze sculptures: For many bronze sculptures and other metal sculptures, treatment includes a reduction buildup from previous protective coatings, removal of corrosion and incrustation, or ...
The conservation and restoration of copper and copper-alloy objects is the preservation and protection of objects of historical and personal value made from copper or copper alloy. When applied to items of cultural heritage , this activity is generally undertaken by a conservator-restorer .
A paintings conservator is an individual responsible for protecting cultural heritage in the form of painted works of art. These individuals are most often under the employ of museums, conservation centers, or other cultural institutions. They oversee the physical care of collections, and are trained in chemistry and practical application of ...
This page was last edited on 9 December 2019, at 11:31 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Preventive conservation involves the mitigation of potential threats to the stability of an artifact or specimen through a number of means. Threats such as fire, flood, natural disaster, physical force, and theft cannot be foreseen and inherent vice can only be addressed through prudent risk management, care, and handling of museum objects.
The Intermuseum Conservation Association (ICA) was founded in 1952 on the campus of Oberlin College in Oberlin, OH. Six directors of major Midwestern museums wanted to create a professional art conservation laboratory. Richard Buck from the Harvard Art Department was the first director of the ICA and served for 20 years. [1]