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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Wong Keen (Chinese: 王瑾; pinyin: Wáng Jǐn, born 23 November 1942) is a Singaporean painter who was primarily trained in New York. He is known for being one of the first Singaporean artists to be educated in the United States and for his syncretic body of work that melds together the sensibilities of Chinese literati painting and the New York School. [1]
An art museum was proposed for the then University of Malaya, in Singapore. 1955: Michael Sullivan (1955–1960) appointed as its first Curator. The University Art Museum opens with initial objects acquired through donations and archaeological digs. 1959: The museum received a major donation of Indian art from the Government of India. 1961–1973
Singapore Belz Museum of Asian and Judaic Art: United States Memphis, Tennessee 1,000 [7] Birmingham Museum of Art: United States Birmingham, Alabama 4,000 [8] British Museum: United Kingdom London 55,000 [9] Brooklyn Museum: United States Brooklyn, New York 20,000 [10] Chinese Museum (Fontainebleau) France Fontainebleau Cleveland Museum of Art ...
The visual art of Singapore, or Singaporean art, refers to all forms of visual art in or associated with Singapore throughout its history and towards the present-day. The history of Singaporean art includes the indigenous artistic traditions of the Malay Archipelago and the diverse visual practices of itinerant artists and migrants from China, the Indian subcontinent, and Europe.
Cheong Soo Pieng (simplified Chinese: 钟泗宾; traditional Chinese: 鍾泗賓; pinyin: Zhōng Sì Bīn; Pe̍h-ōe-jī: Tsing Sì-pin) was a Singaporean artist who was a pioneer of the Nanyang art style, and a driving force to the development of Modernism in visual art in the early 20th-century Singapore.
Georgette Chen, Sweet Rambutans, 1965, Oil on canvas. The Nanyang style of painting, also known as Nanyang art or the Nanyang school, was a modern art movement and painting tradition initially practised by migrant Chinese painters in Singapore from the late-1940s to 1960s.
Chua Mia Tee, National Language Class, 1959, Oil on canvas, 112 x 153 cm, Installation view at National Gallery Singapore Chua Mia Tee (Chinese: 蔡名智; pinyin: Cài Míngzhì; [1] born 25 November 1931) is a Chinese-born Singaporean artist known for his social realist oil paintings capturing the social and political conditions of Singapore and Malaya in the 1950s and 60s.
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