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Longinus (Greek: Λογγίνος) is the name given to the unnamed Roman soldier who pierced the side of Jesus with a lance, who in medieval and some modern Christian traditions is described as a convert to Christianity. [4] His name first appeared in the apocryphal Gospel of Nicodemus. [5]
Stephaton, or Steven, is the name given in medieval Christian traditions to the Roman soldier or bystander, unnamed in the Bible, who offered Jesus a sponge soaked in vinegar wine at the Crucifixion. In later depictions of the Crucifixion, Stephaton is frequently portrayed with Longinus, the soldier who pierced Jesus' side with a spear.
For instance, only Matthew mentions an earthquake, resurrected saints who went to the city, and that Roman soldiers were assigned to guard the tomb, [30] while Mark is the only one to state the time of the crucifixion (the third hour, or 9 a.m. – although it was probably as late as noon) [31] and the centurion's report of Jesus's death. [32]
Crucifixion is a method of capital punishment in which the condemned is tied or nailed to a large wooden cross, beam or stake and left to hang until eventual death. [1] [2] It was used as a punishment by the Persians, Carthaginians, and Romans, [1] among others. Crucifixion has been used in some countries as recently as the 21st century. [3]
Fresco by Fra Angelico, Dominican monastery at San Marco, Florence, showing the lance piercing the side of Jesus on the cross (c. 1440). The Holy Lance, also known as the Spear of Longinus (named after Saint Longinus), the Spear of Destiny, or the Holy Spear, is alleged to be the lance that pierced the side of Jesus as he hung on the cross during his crucifixion.
The Three Crosses is a 1653 print in etching and drypoint by the Dutch artist Rembrandt van Rijn, which depicts the crucifixion of Jesus Christ. Most of his prints are mainly in etching and this one is a drypoint with burin adjustments from the third state onwards. [1] It is considered "one of the most dynamic prints ever made". [2]
The late 6th-century Rabbula Gospel book which includes one of the earliest Crucifixion sequences in a manuscript also depicts an empty tomb under the Crucifixion panel, with an angel seated there who greets two women. Rays of light strike down Roman soldiers, and Jesus greets the two women, who kneel to adore him. [8]
The Alexamenos graffito. The Alexamenos graffito (known also as the graffito blasfemo, or blasphemous graffito) [1]: 393 is a piece of Roman graffiti scratched in plaster on the wall of a room near the Palatine Hill in Rome, Italy, which has now been removed and is in the Palatine Museum. [2]