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Star Wars: Duel of the Fates (also known as Star Wars: Episode IX – Duel of the Fates) was the original draft of the third film in the Star Wars sequel trilogy. Named after the franchise's musical composition of the same name , the script was written in 2016 by Colin Trevorrow and Derek Connolly while Trevorrow was attached as director.
The music had its debut during the final lightsaber duel between Qui-Gon Jinn, Obi-Wan Kenobi, and Darth Maul in Star Wars: Episode I – The Phantom Menace.The beginning portion used on the soundtrack is replaced with the beginning of a separate track titled Qui-Gon's Noble End; [5] however, the full version of the original recording is used during the film's end credits.
[49] [50] Trevorrow and Connolly's script, titled Star Wars: Duel of the Fates after the theme of the same name from Star Wars: Episode I – The Phantom Menace, included elements which were utilized to some extent in the final film, such as Kylo finding a Sith holocron in Darth Vader's castle on Mustafar, the transference of Force energy, [51 ...
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"Battle of the Heroes" is the theme for the climactic duel between Anakin Skywalker and Obi-Wan Kenobi, written upon the request of George Lucas. [4] Lucas wanted a piece that would function as a tragic version of "Duel of the Fates" in the film's final fight scenes. The concert suite begins with a soft and tense ostinato by the violas in tremolo.
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Junya Nakano – Front Mission: Gun Hazard, Dewprism (Threads of Fate in the U.S.), Tobal No. 1, Final Fantasy X; Akito Nakatsuka – Zelda II: The Adventure of Link, Ice Climber; Junichi Nakatsuru – Soul series, Ace Combat series, Super Smash Bros. for Nintendo 3DS / Wii U
[42] [43] Vizsla, whose ancestor created the Darksaber, duels the Mandalorian for the Darksaber and loses, but the Mandalorian reveals that he broke the Mandalorian code by removing his helmet and is stripped of his title as a Mandalorian. [44] [45] When he visits Peli Motto, he gets a new ship called the Naboo N-1 starfighter to replace his ...