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Bach: The Great Passion is a 2017 biographical radio play by the English writer James Runcie, dealing with the inception and premiere of the St Matthew Passion. [1] It premiered on BBC Radio 4 on 15 April 2017, with Simon Russell Beale in the title role, directed by Eoin O'Callaghan and produced by Marilyn Imrie.
James Robert Runcie (born 7 May 1959) [1] is a British novelist, documentary filmmaker, television producer and playwright. [2] He is a Fellow of the Royal Society of Literature and a visiting professor at Bath Spa University and was Commissioning Editor for Arts on BBC Radio 4 from 2016 - 2020.
Morgante (sometimes also called Morgante Maggiore lit. ' Greater Morgante ', the name given to the complete 28-canto, 30,080-line edition published in 1483 [1]) is an Italian romantic epic by Luigi Pulci which appeared in its final form in 1483; a now-lost 23-canto version likely appeared in late 1478; two other 23-canto versions were published in 1481 and 1482. [1]
The poem was initially published in The Irish Times on 8 September 1913, under the title "Romance in Ireland (On reading much of the correspondence against the Art Gallery)". It was later included in the pamphlet Nine Poems and the collection Responsibilities (both 1914) as "Romantic Ireland". The poem has been known by its current title only ...
The Bronze Horseman: A Petersburg Tale (Russian: Медный всадник: Петербургская повесть, romanized: Mednyy vsadnik: Peterburgskaya povest) is a narrative poem written by Alexander Pushkin in 1833 about the equestrian statue of Peter the Great in Saint Petersburg and the great flood of 1824.
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
The characterization of the poem as a riddle is the oldest of its various treatments, the argument for which characterization is based largely upon the obscurity of its subject and the placement of the poem within the Exeter Book, where it was included as Riddle I in Benjamin Thorpe's 1842 translation of the Exeter Book. [9]
The poem appealed to bardic subject matter "whose power had charm’d a Spenser’s ear" to the imaginative rehabilitation of true poetry. Another indication of the new direction his work was taking was the "Ode on the Music of the Grecian Theatre" that Collins proposed sending to Hayes in 1750.