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The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
Assyrian hero grasping a lion and a snake Single bull-man wrestling with a lion, Mesopotamia, 3rd millennium BC. Although such figures are not all, or even usually, deities, the term may be a generic name for a number of deities from a variety of cultures with close relationships to the animal kingdom or in part animal form (in cultures where that is not the norm).
The Attributed arms devised for Urien of the House of Rheged, based on their association with the raven. Ravens are prominent in early Welsh mythology, with the Medieval Welsh poem Y Gododdin repeatedly associating ravens with battles, bravery and death. The poem refers to the battlefield as the "ravens' feast", with descriptions of the ravens ...
Ammit (/ ˈ æ m ɪ t /; Ancient Egyptian: ꜥm-mwt, "Devourer of the Dead"; also rendered Ammut or Ahemait) was an ancient Egyptian goddess [2] [clarification needed] with the forequarters of a lion, the hindquarters of a hippopotamus, and the head of a crocodile—the three largest "man-eating" animals known to ancient Egyptians.
The idea of the great chain, as well as the derived "missing link", was abandoned in early 20th-century science, [23] as the notion of modern animals representing ancestors of other modern animals was abandoned in biology. [24] The idea of a certain sequence from "lower" to "higher" however lingers on, as does the idea of progress in biology. [25]
Animal worship (also zoolatry or theriolatry) is an umbrella term designating religious or ritual practices involving animals. This includes the worship of animal deities or animal sacrifice . An animal 'cult' is formed when a species is taken to represent a religious figure. [ 1 ]
In the late Middle Ages, influenced by the Black Death and devotional writers, explicit memento mori imagery of death in the forms of skulls or skeletons, or even decomposing corpses overrun with worms in the transi tomb, became common in northern Europe, and may be found in some funerary art, as well as motifs like the Dance of Death and works ...
It was performed in honor of the emperors Diocletian and Maximian. Another Roman mystery cult in which a sacrificial bull played a role was that of the 1st–4th century Mithraic Mysteries. In the so-called "tauroctony" artwork of that cult , and which appears in all its temples, the god Mithras is seen to slay a sacrificial bull. Although ...