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Photo album manufacturers responded by producing albums with pages primarily for cabinet cards with a few pages in the back reserved for the old family carte de visite prints. For nearly three decades after the 1860s, the commercial portraiture industry was dominated by the carte de visite and cabinet card formats.
A picture (a photo or print, drawing, etc.) is placed beneath it, with the cutout framing it. The passe-partout serves two purposes: first, to prevent the image from touching the glass, and second, to frame the image and enhance its visual appeal. The cutout in the passe-partout is usually beveled to avoid casting shadows on the picture. The ...
In this case, the matte is the background painting. In film and stage, mattes can be physically huge sections of painted canvas, portraying large scenic expanses of landscapes. In film, the principle of a matte requires masking certain areas of the film emulsion to selectively control which areas are exposed. However, many complex special ...
The albumen print, also called albumen silver print, is a method of producing a photographic print using egg whites. Published in January 1847 [ 1 ] by Louis Désiré Blanquart-Evrard , it was the first commercial process of producing a photo on a paper base from a negative , [ 2 ] previous methods - such as the daguerreotype and the tintype ...
A frame from a 35 mm film print. Here, the picture is framed for the intended theatrical aspect ratio (inside the yellow box). The picture outside of the yellow box is matted out when the film is shown in widescreen. For 4:3 television and home media versions, a large portion of the picture can be used (inside the red box) with an open matte.
A matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that is not present at the filming location. Historically, matte painters and film technicians have used various techniques to combine a matte-painted image with live-action footage (compositing ...
Machine-finished coated paper (MFC) has a basis weight of 48–80 g/m 2. They have good surface properties, high print gloss and adequate sheet stiffness. MFC papers are made of 60–85% groundwood or thermomechanical pulp (TMP) and 15–40% chemical pulp with a total pigment content of 20–30%. The paper can be soft nip calendered or ...