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It is at the clavichord that a keyboard player may be most exactly evaluated." [8] [page needed] [11] [page needed] Among recent clavichord recordings, those by Christopher Hogwood (The Secret Bach, The Secret Handel, and The Secret Mozart), break new ground. In his liner notes, Hogwood pointed out that these composers would typically have ...
Harpsichord building was often considered a lesser side job for organ builders, while some few were specialized in either harpsichord or clavichord building. [ 1 ] Note that in the German speaking world the harpsichord was only one of several instruments referred to as clavier, and keyboard instruments seem to have been used more ...
Indeed, nearly all the keyboard music of the renaissance sounds equally well on harpsichord, virginals, clavichord or organ, and it is doubtful if any composer had a particular instrument in mind when writing keyboard scores. A list of composers for writing for the virginals (among other instruments) may be found under virginalist.
Both makers' clavichords had strings an octave higher in the bass register of the instrument, which Bach disliked. [6] [19] Bach may have acted as Friederici's agent; [20] Forkel wrote that Bach was selling fortbiens in 1773. [17] The Mozart family owned two instruments by Friederici: a two-manual harpsichord and possibly a clavichord. [21]
The spinet piano, manufactured from the 1930s until recent times, was the culmination of a trend among manufacturers to make pianos smaller and cheaper. It served the purpose of making pianos available for a low price, for owners who had little space for a piano. Many spinet pianos still exist today, left over from their period of manufacture.
The collection consisted mainly of pianos (forte-pianos), but also included harpsichords [4] [5] and a few clavichords. The Colt Collection contained the largest single accumulation of Broadwood pianos. [6] The oldest specimen dated to 1775, with the most recent instrument dating to the late 19th century.
The Harpsichord Owner's Guide. Chapel Hill: University of North Carolina Press. Kottick, Edward (2003). A History of the Harpsichord. Indiana University Press. ISBN 0-253-34166-3. An extensive survey by a leading contemporary scholar. Russell, Raymond (1973). The Harpsichord and Clavichord: an introductory study (2nd ed.). London: Faber and Faber.
As a stringed keyboard instrument maker, Stein built clavichords, harpsichords, and pianos. He also built some more extraordinary keyboard instruments, including the "Poli-Toni-Clavichordium" (described in the Augsburg Intelligenzblatt in 1769) that combined a large harpsichord having four choirs of strings ( registration 8', 8', 8', 16') with ...
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