Ad
related to: harpsichord vs fortepiano
Search results
Results from the WOW.Com Content Network
The fortepiano has leather-covered hammers and thin, harpsichord-like strings.It has a much lighter case construction than the modern piano and, except for later examples of the early nineteenth century (already evolving towards the modern piano), it has no metal frame or bracing.
Unlike the harpsichord, the fortepiano is capable of changes in dynamic volume, giving it its name. [4] By the late 18th century the harpsichord was supplanted by the piano and almost disappeared from view for most of the 19th century: an exception was its continued use in opera for accompanying recitative , but the piano sometimes displaced it ...
Fortepiano by Paul McNulty after Walter & Sohn, ca. 1805. The earliest pianos by Cristofori (ca. 1700) were lightweight objects, hardly sturdier in framing than a contemporary harpsichord, with thin strings of low tensile strength iron and brass and small, lightweight hammers.
Harpsichord. Clavicymbalum; Lautenwerck; Hurdy-gurdy; Marxophone; Piano. Fortepiano; Tangent piano; Xenorphica; Additionally, members of the harpsichord and piano families may also use alternative setups to make the instruments more compact: Portable Folding harpsichord; Orphica; Spinets. Oval spinet; Square Square piano; Virginals; Uprights ...
The creation of the tangent piano, and the fortepiano, were the results of attempts to remedy the lack of dynamics in harpsichord sound. Both the tangent piano and fortepiano offered a variety of sound that was appealing to the changes in classical music, which featured more expressiveness and intensity than the harpsichord could offer.
Piano technique evolved during the transition from harpsichord and clavichord to fortepiano playing and continued through the development of the modern piano. Changes in musical styles and audience preferences over the 19th and 20th century, as well as the emergence of virtuoso performers, contributed to this evolution and to the growth of ...
The first thirty of Haydn's keyboard sonatas are scored for harpsichord, while the next nine are scored for either harpsichord or fortepiano. [3] This keyboard sonata, being the 34th according to the Hoboken-Verzeichnis classification, is scored for harpsichord or fortepiano, leaving the choice to the performer.
Gary Cooper (born 1968, London) [1] is an English conductor and classical keyboardist who specialises in the harpsichord [2] and fortepiano. [3] He is known as an interpreter of the keyboard music of Bach and Mozart, and as a conductor of historically informed performances of music from the Renaissance, Baroque, Classical and Romantic periods.
Ad
related to: harpsichord vs fortepiano