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Kathak performances include Urdu ghazal and commonly used instruments brought during the Mughal period. [5] As a result, it is the only Indian classical dance form to feature Persian elements. [6] Kathak is found in three distinct forms, called "gharana", named after the cities where the Kathak dance tradition evolved – Jaipur, Banares and ...
In Kathak performers today generally draw their lineage from four major schools of Kathak: the Jaipur-Atrauli gharana, the Lucknow dance gharana, the Benares gharana (born in the courts of the Kachwaha Rajput kings, the Nawab of Oudh, and Varanasi respectively.) and the Raigarh gharana (born in the court of Maharaja Chakradhar Singh of Raigarh.)
Katha (or Kathya) is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism.It often involves priest-narrators (kathavachak or vyas) who recite stories from Hindu religious texts, such as the Puranas, the Ramayana or Bhagavata Purana, followed by a commentary ().
Lakhia started her Kathak training with Sohanlal from the Bikaner Gharana at age seven. This was followed by Ashiq Hussain of Benaras Gharana and Sunder Prasad of the Jaipur school. Encouraged by her mother, Leela, herself a classical singer, she was sent to further her training under the tutelage of Radheylal Misra, himself a disciple of Jai Lal.
The Ashta-Nayika have been illustrated in Indian painting, literature, sculpture as well as Indian classical dance, such as Kathak. [ 4 ] [ 5 ] [ 6 ] Notable medieval paintings that depict the Ashta nayika are the Ragamala paintings , as those from the Bundi school of painting.
The term is derived from the Hindi word padhna, meaning "to read, study or recite". [2] Padhant is closely associated with the percussion instrument tabla and the classical dance Kathak , and the recitation of rhythmic patterns before playing them is considered an art in itself. [ 3 ]
Rajendra Gangani is an Indian Kathak dancer known for his innovative style and technical wizardry. [1] Gangani is one of the leading exponents of the Jaipur Gharana style of Kathak. For his contributions to the field of Kathak, Gangani received the Sangeet Natak Akademi Award in 2003 from The President of India A. P. J. Abdul Kalam. [2]
In 1970, Films Division of the Government of India released a documentary on the history and practice of Kathak, which features performances by notable Kathak exponents like Damayanti Joshi, Uma Sharma, Sudarshan Dheer and Shambhu Maharaj, besides Roshan Kumari. [13] Later she also worked as a choreographer in Hindi feature films such as Gopi ...