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The group had a hit with She's Not There", which was released on Kama Sutra. By that time the group had become The Road. It sold in excess of 200,000 copies and registered at #88 in Cashbox, [4] [5] #79 in Canada, [6] and managed to reach the charts in Greece. [7] Their album simply titled Road was released
A power chord Play ⓘ, also called a fifth chord, is a colloquial name for a chord on guitar, especially on electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played with an amp with intentionally added distortion or overdrive effects.
The Chords, a South East London group, formed in 1978 when singer/guitarist Billy Hassett and his bassist cousin, Martin Mason, advertised for musicians in the NME and found guitarist and songwriter, Chris Pope. [1] Original drummer Paul Halpin did not stay long, at least behind his drum kit, and eventually became the group's tour manager. [1]
Due to the high level of success the single achieved in the UK, a rush-release of "You Really Got Me" was put out in the US on 2 September 1964, despite being delayed from its initial release date of 26 August. [30] Although it did not enter the charts until 26 September, the record rose to number seven on the Billboard Hot 100. [30]
It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954. It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who ...
The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed their name to the Chordcats. [3] Their success was a one-off as subsequent releases, including "Zippity-Zum", all failed to chart. [3]
Thompson did not rejoin Fairport, but he did contribute a song to the project and played guitar on another track on the album. 1988 saw the release of Thompson's first album for Capitol, Amnesia . Froom was retained as producer, and once again the album was recorded in Los Angeles with many of the same players that Froom had called upon for the ...
The album received mixed reviews from critics. AllMusic wrote an enthusiastic review, calling the album "an incredible debut and a brilliant example of where rock could be headed", stating that it is more "stylish" than many of the band's contemporaries in the garage rock revival scene, namely the Hives, the Vines, and the Strokes.