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[9] [10] The key note or tonic of a piece in a major key is a semitone above the last sharp in the signature. [11] For example, the key of D major has a key signature of F ♯ and C ♯, and the tonic (D) is a semitone above C ♯. Each scale starting on the fifth scale degree of the previous scale has one new sharp, added in the order shown. [10]
However, Johann Sebastian Bach chose C-sharp major for Prelude and Fugue No. 3 in both books of The Well-Tempered Clavier. In Hungarian Rhapsody No. 6, Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor.
B ♭, E ♭, A ♭, D ♭, G ♭, C ♭, F ♭. The corresponding order of keys is off by one: F ♮, B ♭, E ♭, A ♭, D ♭, G ♭, C ♭. Starting with no sharps or flats (C major), adding the first flat (B ♭) indicates F major; adding the next (E ♭) indicates B ♭ major, and so on, backwards through the circle of fifths.
Starting with no sharps or flats (C major), adding the first sharp (F ♯) indicates G major, adding the next (C ♯) indicates D major, and so on through the circle of fifths. Some keys (such as C ♯ major with seven sharps) may be written as an enharmonically equivalent key (D ♭ major with five flats in this case
C ♯ (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solfège. C-sharp is thus enharmonic to D ♭ . It is the second semitone in the French solfège and is known there as do dièse .
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Even so, Johannes Brahms still felt the need to rewrite his C-sharp minor piano quartet in C minor, which was published as Piano Quartet No. 3 in C minor, Op. 60. [citation needed] The last intermezzo from his Three Intermezzi for piano, Op. 117 is in C-sharp minor. Alkan composed the second movement (Adagio) for Concerto for Solo Piano in C ...