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The Shiva Purana contains chapters with Shiva-centered cosmology, mythology, and relationship between gods, ethics, yoga, tirtha (pilgrimage) sites, bhakti, rivers and geography, and other topics. [10] [2] [11] The text is an important source of historic information on different types and theology behind Shaivism in early 2nd-millennium CE. [12]
The Brahmin Vedic scholar Bikshu Sastrigal translated the work under the name of Ulaganatha Swamigal. The Tamil version is a free translation of the original Sanskrit text and consists of 1,964 verses. [3] This Tamil translation is published by Sri Ramanashramam, Thiruvannamalai, Tamil Nadu, India.
The Linga Purana states, "Shiva is signless, without color, taste, smell, that is beyond word or touch, without quality, motionless and changeless". [11] The source of the universe is signless, and all of the universe is the manifested Linga, a union of unchanging Principles and the ever-changing nature. [ 11 ]
The title of the text, 'Srimad Devi Bhagavata or 'Devi Purana'', is composed of two words, which together mean "devotees of the blessed Devi".Johnson states the meaning as the "ancient annals of the luminous goddess".
The stories are similar to those found in the other Puranas, but neither Vishnu nor Shiva dominate the text. [10] The text presents a tour guide to medieval Varanasi (also known as the holy city of Banaras or Kashi), but mostly about the Shaiva sites, while elsewhere Pancharatra stories present Vishnu prominently but with Sri as the Supreme ...
The pañcānana (Sanskrit: पञ्चानन), also called the pañcabrahma, [1] are the five faces of Shiva corresponding to his five activities (pañcakṛtya): creation (sṛṣṭi), preservation (sthithi), destruction (saṃhāra), concealing grace (tirobhāva), and revealing grace (anugraha). [2]
The is a Shaiva story that features Brahma, Vishnu, Shiva, the three major gods of Hinduism, who get together and debate about who is supreme amongst the three of them and after various incidents of the story, the glory of Shiva is established at the end by the apparition of the Linga which is a form of Shiva as Lingodbhava over Vishnu and ...
These forms are based on the Puranas and the Itihasas, in which the theme of Shiva's divine play is explained with numerous narratives. Most of these forms are featured in South Indian temples as the main images of the sanctum or sculptures and reliefs in the outer walls of Shiva temples.