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B. B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.
His Definitive Greatest Hits is a compilation album by American blues musician B.B. King. It was produced, sequenced & compiled by Richard M. Ganter and released on April 12, 1999, by Polygram Records. [3]
The Best of the Early Years is a 2007 Blues compilation album by B.B. King. This "Best of" collection was created from master recordings from King's works from the 1950s and 1960s. This "Best of" collection was created from master recordings from King's works from the 1950s and 1960s.
Why I Sing the Blues is a 1983 album by the blues guitarist and singer B.B. King. Originally made by MCA Records as a bargain-bin greatest hits compilation, the album is a showcase of King's best work from the late 1960s and early 1970s. The album was released in CD format in 1992. [2]
Mr. B.B. King is a box set compilation album by B. B. King. It traces King's career from his first singles for Bullet Records in 1949 to material on his last recorded album in 2008. Crowdfunded by Pledge Music in 2012, [2] [3] it was available in a full ten-disc box exclusive through Amazon.com, [4] and a four-disc "highlights" box available ...
The Ultimate Collection is a compilation album by B.B. King, released in 2005. Track listing. Three O'Clock Blues" – 3:01 "Please Love Me" – 2:48
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King.It was recorded on November 21, 1964, at the Regal Theater in Chicago.The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone ' s 2003 edition of the 500 Greatest Albums of All Time list, [6] before dropping to number 299 in a 2020 ...
The New York Times panned the first side of Love Me Tender, calling it "bland, countrypolitan elevator music," but thought more highly of side two's "first-rate after-hours blues." [ 7 ] The Globe and Mail wrote that "the singing is lugubrious, the playing is by rote, and the sound is so lush that King can barely be heard above it."
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