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Despite being sampled within "Selah", the former was released two months later. A gospel song, the rendition includes a chorus that features praise for Jesus Christ being delivered by the Sunday Service Choir. It charted at number 17 on the US Billboard Gospel Songs chart in 2020. The rendition has been performed live by the Sunday Service ...
Holmes also considered that, despite its gospel influences, "Jesus Is King is a gospel album in the same way a square is a rectangle," only fitting "the most basic criteria," and wrote that its production consists largely of recognizable gospel components such as "pared-back guitars, mournful organs and pianos, and choral arrangements deployed ...
Thomas Anthony Whitfield (April 30, 1954 – June 20, 1992) was an American gospel singer, songwriter, arranger, pianist, choir director and producer best known for helping to shape the fabric of contemporary gospel music with his elaborate choral arrangements and the merging of musical styles ranging from jazz to classical into traditional gospel foundations.
Doris Mae Akers (May 21, 1923 – July 26, 1995) [1] was an American gospel music composer, arranger and singer who is considered to be "one of the most underrated gospel composers of the 20th century [who] wrote more than 500 songs". [2]
The song was nominated for the Best Gospel/Inspirational Award at the 20th BET Awards in 2020, though ultimately lost to Kirk Franklin's single "Just for Me" (2019). [47] At the 2020 Billboard Music Awards, the song won the Top Gospel Song award over fellow album tracks "Closed on Sunday", "On God" and "Selah". [48]
Includes one song from pianist Bob Silverman's solo LP, He's Everything to Me; Revelation Generation: Released: 1973; Chapel Records Catalog No. CPS738; Souvenir album (same content as "Faith to the People" but different cover art) Includes nine songs from five previous LPs (Happy, Thanks, Sing, Talking, I)
This is a list of songs written by the American gospel songwriter Dottie Rambo. Rambo wrote over 2500 songs throughout her lifetime, and many have been recorded by hundreds of artists. [1] Songs are listed in alphabetical order and followed in parentheses by other notable artists who have recorded or performed the song.
The song was met with lukewarm reviews from music critics, with light praise for West's vocals. Sam C. Mac from Slant Magazine lauded the song as the highlight of the album and saw it as insightful into West's gospel work, noting his pure voice is at its most "cracked and vulnerable" yet over the looped sample of "gospel godhead" Cleveland. [9]
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