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"If—" is a poem by English poet Rudyard Kipling (1865–1936), written circa 1895 [1] as a tribute to Leander Starr Jameson. It is a literary example of Victorian-era stoicism. [2] The poem, first published in Rewards and Fairies (1910) following the story "Brother Square-Toes", is written in the form of paternal advice to the poet's son ...
Moulmein from the Great Pagoda, Samuel Bourne, 1870 "Mandalay" is a poem by Rudyard Kipling, written and published in 1890, [a] and first collected in Barrack-Room Ballads, and Other Verses in 1892.
Many of Kipling's short stories were introduced with a short fragment of poetry, sometimes from an existing poem and sometimes an incidental new piece. These were often identified "A Barrack-Room Ballad", though not all the poems they were taken from would otherwise be collected or classed this way.
The poem is written with rhyming heptameters, two of which are equivalent to a ballad stanza. Some texts print the poem in groups of four lines. It is written in the style of a border ballad. The vocabulary, stock phrases and rhythms are reminiscent of the old ballads, and the culture described is not unlike that of the Border Reivers. The ...
Gunga Din" (/ ˌ ɡ ʌ ŋ ɡ ə ˈ d iː n /) is an 1890 poem by Rudyard Kipling set in British India. The poem was published alongside "Mandalay" and "Danny Deever" in the collection "Barrack-Room Ballads". The poem is much remembered for its final line "You're a better man than I am, Gunga Din". [1]
Kipling was a war hawk and a staunch supporter of the Allies, whom he viewed as standing in the way of the German forces. According to scholar Irene de Angelis "Kipling equated Germany’s policy of Schreklichkeit in Belgium with the collapse of civilization." [4] His poem was intended to serve as a call to arms against Germany. [5]
"The Gods of the Copybook Headings" is a poem by Rudyard Kipling, characterized by biographer Sir David Gilmour as one of several "ferocious post-war eruptions" of Kipling's souring sentiment concerning the state of Anglo-European society. [1] It was first published in the Sunday Pictorial of London on 26 October 1919.
The Anglican Church of Canada adopted the poem as a hymn, [9] as has the Church of Jesus Christ of Latter-day Saints in a 1985 hymnal. [10] Leslie Fish set the poem to music, along with several other Kipling poems, on her album "Our Fathers of Old". T. S. Eliot included the poem in his 1941 collection A Choice of Kipling's Verse.