Search results
Results from the WOW.Com Content Network
Quran imitations represent literary attempts to replicate the style, form and content of the Quran. Historically, they emerge in a dialectic with the doctrine of the i'jaz (inimitability) of the Quran, which asserts that the literary and/or semantic nature of the Quran cannot be reproduced by a human.
The imitation can match the commands with the visual stimulus (compatible) or it cannot match the commands with the visual stimulus (incompatible). For example: 'Simon Says', a game played with children where they are told to follow the commands given by the adult. In this game, the adult gives the commands and shows the actions; the commands ...
Mimesis criticism is a method of interpreting texts in relation to their literary or cultural models. Mimesis, or imitation (imitatio), was a widely used rhetorical tool in antiquity up until the 18th century's romantic emphasis on originality.
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...
Mimesis (/ m ɪ ˈ m iː s ɪ s, m aɪ-/; [1] Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous [clarification needed] similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.
A pastiche combining elements of paintings by Pollaiuolo and Botticelli (Portrait of a Woman and Portrait of a Young Woman [it; fr; es] respectively), using Photoshop. A pastiche (/ p æ ˈ s t iː ʃ, p ɑː-/) [1] [2] is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. [3]
In 1887, one critic even suggested that Carroll had plagiarized Tom Hood's From Nowhere to the North Pole (1875) when writing Alice — although Hood's work came out ten years after Alice and was one of its many imitations. [2] In 1907, copyright on Alice's Adventures in Wonderland expired in the UK, entering the tale into the public domain.
Despite the fact that the main writing implement of the time was already the brush, few papers survive from this period, and the main examples of this style are on steles. The clerical script (隸書 / 隸书) (lì shū) which was more regularized, and in some ways similar to modern text, was also authorised under Qin Shi Huang. [19]