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Noli Me Tángere is a 1961 Philippine period drama film co-written and directed by Gerardo de León. Based on the 1887 novel of the same name by José Rizal, it stars Eduardo del Mar, Edita Vital, Johnny Monteiro, Oscar Keesee, Teody Belarmino, and Leopoldo Salcedo. The film was released on June 16, 1961, timed with the centenary of Rizal's birth.
Noli me Tangere by Antonio da Correggio, c. 1525. Noli me tangere ('touch me not') is the Latin version of a phrase spoken, according to John 20:17, by Jesus to Mary Magdalene when she recognized him after His resurrection. The original Koine Greek phrase is Μή μου ἅπτου (mḗ mou háptou).
Dámaso Verdolagas, a Franciscan Spanish priest, was the former curate of the town of San Diego. He was an enemy of Don Rafael Ibarra, Crisóstomo Ibarra's father; Don Rafael refuses to conform to the friars' power.
Noli Me Tángere (Latin for "Touch Me Not") is a novel by Filipino writer and activist José Rizal and was published during the Spanish colonial period of the Philippines.It explores inequities in law and practice in terms of the treatment by the ruling government and the Spanish Catholic friars of the resident peoples in the late 19th century.
In the novel, María Clara is regarded as the most beautiful and celebrated lady in the town of San Diego. A devout Roman Catholic, she became the epitome of virtue; "demure and self-effacing" and endowed with beauty, grace and charm, she was promoted by Rizal as the "ideal image" [1] of a Filipino woman who deserves to be placed on the "pedestal of male honour".
It is the sequel to Noli Me Tángere and, like the first book, was written in Spanish. It was first published in 1891 in Ghent. The novel centers on the Noli-El Fili duology's main character Crisóstomo Ibarra, now returning for vengeance as "Simoun". The novel's dark theme departs dramatically from the previous novel's hopeful and romantic ...
Out 1: Noli Me Tangere, the frequently-cited longer title of the film, has its origins as a phrase written on the film canister of an early workprint. This longer title was commonly understood as the film's actual title until a finished print was made in 1989 for exhibition at the Rotterdam Film Festival and as a telecine transfer for TV broadcast.
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