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Also known as "When I consider every thing that grows," Sonnet 15 is one of English playwright and poet William Shakespeare's 154 sonnets. It is a contained within the Fair Youth sequence, considered traditionally to be from sonnet 1-126 "which recount[s] the speaker's idealized, sometimes painful love for a femininely beautiful, well-born male youth". [2]
Sonnet 78 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the rhyme scheme, abab cdcd efef gg and is composed in iambic pentameter, a metre based on five feet in each line, and two syllables in each foot, accented weak/strong.
The popular form of the expression is a derivative of a line in William Shakespeare's play The Merchant of Venice, which employs the word "glisters," a 16th-century synonym for "glitters." The line comes from a secondary plot of the play, in the scroll inside the golden casket the puzzle of Portia 's boxes (Act II – Scene VII – Prince of ...
Sonnet 18 (also known as "Shall I compare thee to a summer's day") is one of the best-known of the 154 sonnets written by English poet and playwright William Shakespeare.. In the sonnet, the speaker asks whether he should compare the Fair Youth to a summer's day, but notes that he has qualities that surpass a summer's day, which is one of the themes of the poem.
Comparison of the "To be, or not to be" speech in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto, the Good Quarto, and the First Folio. "To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1).
Instances of the word in this meaning have been found in Nicholas Udall's Erasmus and in Hamlet. George Wyndham was unable to explain the capitalization of "Commend," one of only three such failures in his interpretation. The poem prefigures the flower language of the more famous Sonnet 94.
Sonnet 150 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is considered a Dark Lady sonnet, as are all from 127 to 152. Nonetheless 150 is an outlier, and in some ways appears to belong more to the Fair Youth. [2]
The poem answers its own questions by pointing out that his best work is inspired by fidelity to the subject of the poems. [ 3 ] The sonnet seems to be sincerely self-denigrating about the poet's lack of variety, and lack of incorporating the latest fashions, but at the same time there is a sense that the self-effacing pose doesn't ring true.