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  2. Theme and Variations (ballet) - Wikipedia

    en.wikipedia.org/wiki/Theme_and_Variations_(ballet)

    Theme and Variations is a ballet choreographed by George Balanchine to the final movement of Tchaikovsky's Orchestral Suite No. 3.The ballet was made for Ballet Theatre (now American Ballet Theatre), and premiered on November 26, 1947, at the City Center 55 Street Theater, with the two leads danced by Alicia Alonso and Igor Youskevitch.

  3. Tschaikovsky Suite No. 3 - Wikipedia

    en.wikipedia.org/wiki/Tschaikovsky_Suite_No._3

    Tschaikovsky Suite No. 3 is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to Tschaikovsky's Suite No. 3 for Orchestra in G major, Op. 55 (1884). The premiere took place on 3 December 1970 at the New York State Theater , Lincoln Center , with scenery and costumes by Nicolas Benois .

  4. Theme and variations - Wikipedia

    en.wikipedia.org/?title=Theme_and_variations&...

    Retrieved from "https://en.wikipedia.org/w/index.php?title=Theme_and_variations&oldid=24512757"

  5. The Four Temperaments - Wikipedia

    en.wikipedia.org/wiki/The_Four_Temperaments...

    The Four Temperaments or Theme and Four Variations (The Four Temperaments) [1] [2] is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine , [ 1 ] the score was ultimately completed as a commission for George Balanchine , who subsequently choreographed it as a neoclassical ballet ...

  6. Variations on a Theme - Wikipedia

    en.wikipedia.org/wiki/Variations_on_a_Theme

    Introduction and Variations on a Theme by Mozart (Sor) Variations and Fugue on a Theme of Purcell, subtitled The Young Person's Guide to the Orchestra; Variations, Interlude and Finale on a Theme by Rameau; Variations on a Theme by Tchaikovsky (Arensky) Variations on a Theme by William Carlos Williams, a poem by Kenneth Koch; Variations on a ...

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  8. Orchestral Suite No. 3 (Tchaikovsky) - Wikipedia

    en.wikipedia.org/wiki/Orchestral_Suite_No._3...

    Wiley calls this movement "resolutely melodic." A change from B to B ♭ "produces tension in the misalignment of theme and key," he comments. The first theme group returns in the key of the second, then to a bridge. He then returns to the home key and reprises the second theme group in the key of the first and follows it with a lengthy ...

  9. Tell Me Why: Chapter 3 Review: Facing the Facts - AOL

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