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The Bardo Thodol (Tibetan: བར་དོ་ཐོས་གྲོལ, Wylie: bar do thos grol, 'Liberation through hearing during the intermediate state'), commonly known in the West as The Tibetan Book of the Dead, is a terma text from a larger corpus of teachings, the Profound Dharma of Self-Liberation through the Intention of the Peaceful and Wrathful Ones, [1] [note 1] revealed by Karma ...
The premiere production of The Tibetan Book of the Dead was performed by members of the Houston Grand Opera Studio on May 31, 1996, at the Wortham Theater at Rice University. [3] The conductor was Charles Prince, and the stage director was Marcus Stern. The opera received critical acclaim and secured Gordon's place in the operatic genre.
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This translation became widely known and popular as "the Tibetan Book of the Dead", but contains many mistakes in translation and interpretation. [ 1 ] [ 6 ] Another text from the "Profound Dharma of Self-Liberation" is "Self-Liberation through seeing with naked awareness" ( rigpa ngo-sprod [ note 3 ] ), which gives an introduction, or pointing ...
The Tibetan Book of Living and Dying, written by Sogyal Rinpoche in 1992, is a presentation of the teachings of Tibetan Buddhism based on the Tibetan Book of the Dead or Bardo Thodol. The author wrote, "I have written The Tibetan Book of Living and Dying as the quintessence of the heart-advice of all my masters, to be a new Tibetan Book of the ...
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Lama Kazi Dawa Samdup (left) and Evans-Wentz, circa 1919. Walter Yeeling Evans-Wentz (February 2, 1878 – July 17, 1965) was an American anthropologist and writer who was a pioneer in the study of Tibetan Buddhism, and in transmission of Tibetan Buddhism to the Western world, most known for publishing an early English translation of The Tibetan Book of the Dead in 1927.