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The Casinos was a nine-member doo-wop group from Cincinnati, Ohio, [1] led by Gene Hughes and which included Bob Armstrong, Ray White, Mickey Denton, and Pete Bolton. Ken Brady performed with the group, taking over for Hughes from 1962 to 1965 as lead singer. Pete Bolton was replaced at the time by Jerry Baker.
Casinos' frontman Gene Hughes would recall that he'd heard the 1964 Johnny Nash recording of "Then You Can Tell Me Goodbye" on the John R. Show broadcast on WLAC out of Nashville and that the Casinos had been performing it in their club act for several years (Gene Hughes quote:)"So, while we were in the studio in the King Studios in Cincinnati ...
Anatomy of a Hit: Long-Run Plays on Broadway from 1900 to the Present Day. New York: Hawthorn Books, 1966. Schildcrout, Jordan. In the Long Run: A Cultural History of Broadway's Hit Plays. New York and London: Routledge, 2019. Sheward, David. It's a Hit!: The Back Stage Book of Longest-Running Broadway Shows, 1884 to the Present. New York: Back ...
The show came back to New York about a year later, during the Depression of 1920–21. The production owed $18,000 and faced strong competition in a Broadway season full of spectacles, such as Sally – a Ziegfeld musical – and another edition of George White's Scandals. It was only able to book a remote theater on West 63rd Street. [2] [3]
Bullets Over Broadway the Musical premiered on Broadway at the St. James Theatre on March 11, 2014, in previews, officially opening on April 10, 2014. Directed and choreographed by Susan Stroman, the cast features Marin Mazzie (as Helen Sinclair), Zach Braff (as David Shayne), Nick Cordero (as Cheech), Karen Ziemba (as Eden Brent), Vincent Pastore (as Nick Valenti), and Brooks Ashmanskas (as ...
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Summer of 1939, the season was under the directions of Thomas Richardson, it was during this period that Hughes had resigned from his position and theater all together. [18] He left the Harlem Suitcase Theater for economic reasons, and from then on the two years of success slowly decreased.
The show tries to recreate the swing style of jazz, which used large bands, fixed musical arrangements and solo-driven improvisations. Together with the development of the music, various forms of swing dancing emerged, varying by geographic regions, such as the Lindyhop or Jitterbug in Harlem or the Whip in Houston.