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For example, an image may be split in half, with the top half being enlarged and placed further away from the perceiver in space. This image will be perceived as one complete image from only a single viewpoint in space, rather than the reality of two separate halves of an object, creating an optical illusion. Street artists often use tricks of ...
A rebus made up solely of letters (such as "CU" for "See you") is known as a gramogram, grammagram, or letteral word. This concept is sometimes extended to include numbers (as in "Q8" for "Kuwait", or "8" for "ate"). [3] Rebuses are sometimes used in crossword puzzles, with multiple letters or a symbol fitting into a single square. [4]
Polysemy (/ p ə ˈ l ɪ s ɪ m i / or / ˈ p ɒ l ɪ ˌ s iː m i /; [1] [2] from Ancient Greek πολύ-(polý-) 'many' and σῆμα (sêma) 'sign') is the capacity for a sign (e.g. a symbol, a morpheme, a word, or a phrase) to have multiple related meanings. For example, a word can have several word senses. [3]
The Droste effect (Dutch pronunciation:), known in art as an example of mise en abyme, is the effect of a picture recursively appearing within itself, in a place where a similar picture would realistically be expected to appear. This produces a loop which in theory could go on forever, but in practice only continues as far as the image's ...
Primarily denotes one hundred years, but occasionally used, especially in the context of competitive racing, to refer to something consisting of one hundred, as in a 100-mile race. Dozen: 12 A collection of twelve things or units from Old French dozaine "a dozen, a number of twelve" in various usages, from doze (12c.) [2] Baker's dozen: 13
A contronym is a word with two opposite meanings. For example, the word cleave can mean "to cut apart" or "to bind together". This feature is also called enantiosemy, [1] [2] enantionymy (enantio-means "opposite"), antilogy or autoantonymy. An enantiosemic term is by definition polysemic.
A multi-exposure composite image of the October 2004 lunar eclipse taken from Hayward, California. In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images.
The passage from one visual to another must be simultaneous over the entire format. But when this problem occurs, there is a lag in the effects on the diagonals. At the end of one diagonal of the visual, there is one effect, and at the other end, there is another. Phasing