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The actuarial present value (APV) is the expected value of the present value of a contingent cash flow stream (i.e. a series of payments which may or may not be made). Actuarial present values are typically calculated for the benefit-payment or series of payments associated with life insurance and life annuities. The probability of a future ...
A Midsummer Night's Dream is a comedy play written by William Shakespeare in about 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict among four Athenian lovers.
In credibility theory, a branch of study in actuarial science, the Bühlmann model is a random effects model (or "variance components model" or hierarchical linear model) used to determine the appropriate premium for a group of insurance contracts. The model is named after Hans Bühlmann who first published a description in 1967. [1]
Bottom's discussion of his dream is considered by Ann Thompson to have emulated two passages from Chaucer's The Book of the Duchess. [1] Critics have commented on the profound religious implications of Bottom's speech on his awakening without the ass's head in act 4 of A Midsummer Night's Dream: "[. . .] The eye of man hath not heard, the ear ...
Titania (/ t ɪ ˈ t ɑː n i ə /) [1] is a character in William Shakespeare's 1595–1596 play A Midsummer Night's Dream. In the play, she is the Queen of the fairies and wife of the Fairy King, Oberon. The pair are depicted as powerful natural spirits who together guarantee the fertility or health of the human and natural worlds.
Robin Starveling is a character in William Shakespeare's A Midsummer Night's Dream (1596), one of the Rude Mechanicals of Athens who plays the part of Moonshine in their performance of Pyramus and Thisbe. His part is often considered one of the more humorous in the play, as he uses a lantern in a failed attempt to portray Moonshine and is ...
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[14] [15] Director Max Reinhardt asked Erich Wolfgang Korngold to re-orchestrate Mendelssohn's Midsummer Night's Dream music for his 1935 film, A Midsummer Night's Dream. [16] Korngold added other works by Mendelssohn to the mix. Critic Leonard Maltin singles the music out for praise, as contemporary critics did. [16]