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The Ganesha Pancharatnam is a stotra composed by Adi Shankara in the 8th century on the Hindu deity Ganesha. [1] Ganesha is referred to by his epithet of Vinayaka in the strota, and the title itself can be translated as "The five jewels in praise of Ganesha".
The source text (Sanskrit: मूल; mūla) of Bhaskararaya's Khadyota commentary generally follows the text of the 1993 reprint edition Ganesha Purana (GP-1993) [2], but there are quite a few differences in names, and the versification differs slightly. There are enough differences so that the Bhaskararaya variant and the GP-1993 versions can ...
Annapurna Stotra; Ashtalakshmi Stotra; Dakshinamurti Stotra; Hayagriva Stotra; Hari Stotra; Kanakadhara Stotra; Khadgamala Stotra; Mahishasura Mardini Stotra; Rama Raksha Stotra; Shiva Mahimna Stotra; Shiva Tandava Stotra
The Lalita Sahasranama, which is a Shaktist stotra. [17] This Devi-related work is found in the Brahmāṇḍa Purāṇa. [18] The Ganesha Sahasranama, found in the Ganesha Purana. [19] [20] The Hanuman Sahasranama, is a Hanuman stotra told by Valmiki. Its origin is unknown, but it is often attributed to the deity Rama. [21]
Ghurye notes that the text identifying Ganesa with the Brahman and is of a very late origin, [7] while Courtright and Thapan date it to the 16th or 17th century. [8] [9]While the Ganapati Atharvaśīrṣa is a late text, the earliest mention of the word Ganapati is found in hymn 2.23.1 of the 2nd-millennium BCE Rigveda. [10]
Stotra (Sanskrit: स्तोत्र) is a Sanskrit word that means "ode, eulogy or a hymn of praise." [ 1 ] [ 2 ] It is a literary genre of Indian religious texts designed to be melodically sung, in contrast to a shastra which is composed to be recited.
The Ganesha Chalisa (Awadhi: गणेश चालीसा, romanized: Gaṇeśa Chālisā, lit. 'forty quatrains on Ganesha') is a Hindu devotional hymn ( stotra ) addressed to the deity Ganesha .
Thirty-two forms of Ganesha are mentioned frequently in devotional literature related to the Hindu god Ganesha. [1] [2] [3] The Ganesha-centric scripture Mudgala Purana is the first to list them. [4] Detailed descriptions are included in the Shivanidhi portion of the 19th-century Kannada Sritattvanidhi.