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Praktičan vodič kroz Beograd sa pevanjem i plakanjem Practical Guide to Belgrade with Singing and Crying: Bojan Vuletić: Marko Janketić Julie Gayet Anita Mančić Jean-Marc Barr: Comedy / Drama / Romance: The Scent of Rain in the Balkans [1] Miris kiše na Balkanu: Ljubiša Samardžić: Mirka Vasiljević: Drama, Romance: 2012: Klip Clip ...
Underground was selected as the Serbian entry for the Best Foreign Language Film at the 68th Academy Awards, but was not accepted as a nominee. [26] [27] Underground also nominated for Best Foreign Film at the 13th Independent Spirit Awards nearly 3 years after the film won Palme d'Or, but lost to The Sweet Hereafter. [28]
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The Sisters (2011 film) Skinning (film) Slovenian Girl; Soldier's Lullaby; Some Birds Can't Fly; Special Education (film) Special Treatment (film) St. George Shoots the Dragon; Stitches (2019 film) Strange Girl (film) Super 8 Stories
It is the sequel to the 2010 film Montevideo, God Bless You! It was selected as the Serbian entry for the Best Foreign Language Film at the 87th Academy Awards , but was not nominated. [ 1 ] [ 2 ] See You in Montevideo was shot over a number of locations, Paraćin , Belgrade , Ulcinj , Trieste , and also the Spanish Island of Tenerife .
Clip (Serbian: Клип, romanized: Klip) is a 2012 Serbian drama film written and directed by Maja Miloš, her first time directing, and starring Isidora Simijonović in her first film role. The film's title derives from the many short cell phone videos made by the film's central character, Jasna (Simijonović), a troubled teenager whose ...
The film opens with a faux newsreel—presented as a sardonic allusion to the Yugoslav state-owned Filmske novosti [] news organization's tone and delivery—reporting on the 27 June 1971 opening ceremony of the Tunnel of Brotherhood and Unity near an unnamed village in the Goražde municipality in eastern SR Bosnia-Herzegovina, constituent unit of the Yugoslav Federation.
We Are Not Angels (Serbian: Mi nismo anđeli, Ми нисмо анђели) is a 1992 Serbian comedy film [1] directed by Srđan Dragojević that became one of the most popular films of the 1990s in the region of the former Yugoslavia. [2]