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The King Wen sequence (Chinese: 文王卦序) is an arrangement of the sixty-four divination figures in the I Ching (often translated as the Book of Changes).They are called hexagrams in English because each figure is composed of six 爻 yáo—broken or unbroken lines, that represent yin or yang respectively.
The trigram assigned to a branch (as shown below) is used as a starting point for a yang or yin sequence of elements, depending on the yin or yang value of the trigram. For example, ☳ is a yang trigram, so the line elements of the hexagram made by doubling it (number 51) are water, wood, earth, fire, metal, and earth, corresponding to the ...
Rules of Play expresses the perspective that a theoretical framework for interactive design has not yet been established. This is not the first time this has been recognized or explored, but is explored in a fresh way in great detail - with one review stating that: "the book manages to bridge the emerging field of game studies methodologies and design theory".
Divination in Da Liu Ren is determined by relationships of five elements (wu xing 五行) and yin and yang (陰陽) between and among the Three Transmissions, Four Classes, Twelve Generals, and the Heaven and Earth Plates. Each double-hour of the day contains a cosmic board for daytime and evening divination.
Ying and Yan (Инь и Ян) is a play by Boris Akunin written for the director Alexey Borodin, edited by Zaharov in 2006.This play features Akunin's character, the Russian detective Erast Fandorin, along with his Japanese manservant Masahiro "Masa" Sibata and is placed shortly after Fandorin's return from Japan.
The second is fan yin 〔泛音〕, or "floating sounds." These are harmonics, in which the player lightly touches the string with one or more fingers of the left hand at a position indicated by the hui dots, pluck and lift, creating a crisp and clear sound Listen ⓘ. The third is an yin 〔按音 / 案音 / 實音 / 走音〕, or "stopped ...
Wu yin tu 五音圖. One of the most striking features of this (and the following manuscript) is the size: the 35 extant strips (from 37, originally) of Wu Yin tu average around 19.3 cm, a length that is half of most of the manuscripts in the Tsinghua collection. The writing develops around the 5 edges of a star, which figures at the center.
The origin of this style occurred when the Chinese ancestors combined the "Book of Changes" (易经) with the Yin Yang truth. [5] Following the Eight Trigrams, they observed the actions of animals and environmental changes. Tian family's Yin Yang Bagua Zhang was created from these observations being studied and practiced over several generation.