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Moko facial tattoos were traditional in Māori culture until about the mid-19th century, when their use began to disappear. There has been something of a revival from the late 20th century. In pre-European Māori culture, they denoted high social status. Generally only men had full facial moko. High-ranked women often had moko on their lips and ...
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
The start of her career coincided with a revival of interest in tā moko as an art form and particularly a revival of moko kauae, chin tattoos worn by women. [7] New Zealand news website Stuff has described her as being at the "forefront" of the revival of tā moko.
Her early work was in graphic design and advertising, Paama-Pengelly went into teaching and taught art at secondary schools and at tertiary level. [1] During this time in the early 1990s, she began her artistic engagement with tā moko (traditional Māori tattoo). [5] At this time, it was very unusual for a woman to be involved in this art form.
New Zealand has four university-based fine art schools: AUT School of Art and Design at Auckland University of Technology, Ilam School of Fine Arts at the University of Canterbury (formerly Canterbury College School of Art) was founded in 1882, Elam School of Fine Arts at the University of Auckland was founded in 1890 and Massey School of Fine ...
The logo of Air New Zealand, the national carrier, incorporates a koru design — based on the Ngaru (Ngāti Kahungunu) [5] kōwhaiwhai pattern — as a symbol of New Zealand flora. The logo was introduced in 1973 to coincide with the arrival of the airline's first McDonnell Douglas DC-10 wide-body jet.
Te Awekotuku has researched and written extensively on the traditional and contemporary practices of tā moko (tattoo) in New Zealand. Her 2007 (re-published in 2011) book Mau Moko: the world of Maori tattoo, co-authored with Linda Waimarie Nikora, was the product of a five-year long research project conducted by the Māori and Psychology Research Unit at the University of Waikato, funded by a ...
Tyson saw the tattoo as representing the Māori, whom he described as a "warrior tribe", and approved of the design, [29] which consists of monochrome spiral shapes above and below his left eye. [30] According to Tyson, it was his idea to use two curved figures rather than one. [31] The tattoo drew significant attention before the fight.
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