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It was made like a guitar and had four pairs of steel strings. It was used to play salon genres like the mazurka, danza, waltz, polka, etc. The ten string cuatro "moderno": This cuatro evolved from the Baroque era ten string bandurria and laúd from Spain. It is made from a single block of wood and it has five pairs of steel strings.
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
The Spanish tinge is an Afro-Latin rhythmic touch that spices up the more conventional 4 4 rhythms commonly used in jazz and pop music. The phrase is a quotation from Jelly Roll Morton. In his Library of Congress recordings, after referencing the influence of his own French Creole culture in his music, he noted the Spanish (read Cuban) presence:
The Puerto Rican cuatro has ten strings in five courses, tuned in fourths from low to high, with B and E in octaves and A, D, and G in unisons: B 3 B 2 — E 4 E 3 — A 3 A 3 — D 4 D 4 — G 4 G 4. The cuatro is composed of several parts that work together to formulate the distinguishable sound of the instrument:
The five-stroke clave represents the structural core of many Afro-Cuban rhythms, both popular and folkloric. [3] Just as a keystone holds an arch in place, the clave pattern holds the rhythm together. The clave patterns originated in sub-Saharan African music traditions, where they serve the same function as they do in salsa. [4]
The rhythm guitar plays all of the offbeats, the exact pattern of the rhythm guitar in Cuban son. According to the Garland Encyclopedia of World Music , the lead guitar part "recalls the blue-tinged guitar solos heard in bluegrass and rockabilly music of the 1950s, with its characteristic insistence on the opposition of the major-third and ...
The rhythm is a modified tresillo rhythm with eight beats grouped into a repeating pattern of 3+3+2. [5] Unlike traditional flamenco, rumbas may be played in any key, major, minor and modal . [ 5 ] At approx. 100-120bpm, the tempo of rumba flamenca is slower than other more traditional flamenco styles such as bulerías and fandangos .
American band Santana in 1971. In 1969, after the release of the debut album by Santana, the term "Latin rock" appeared in the US and other parts of the world. [32] It was an attempt to describe the band's music style as a fusion of Latin American and Caribbean rhythms, soul, jazz, funk, blues, psychedelia and rhythm and blues based on rock music.